The Permission to Breathe: Sealed Lives in Paolo Sorrentino’s Cinema and Clinical Practice
Why do some people choose to live in a prison built of rituals and silences, rather than risk the unpredictability of an encounter? This is the question that runs through the work of Paolo Sorrentino, beginning with The Consequences of Love (2004), continuing with The Family Friend (2006), and resurfacing in his latest film, La […]



